Famous flowers have the Lord plus QQ please indicate Yuyao friends finally meet the age to help a rong aunt under passing God, this society, children are on, it seems that we are really old a Rong very good brother help post 90 after… More and more young grass appeared in the forum… Manual topping… For my dear LZ sister to add in view of the picture has the truth interested people can add her photos in the QQ album what do I do alas, third degree disability, move over to the side you don't have it? Where did the 90's come to live in the east of the city? Ask so clear add QQ chat to dizzy. boringSimen single group: one thirty-three thirty-eight twenty-three is a, leave a footprint you are also Simen ah half four gatekeeper can send a couple is Simen Yuyao Ning statistics under the number of Simen I first report a number of what is half Simen praise a few, good performance can only count as half a well four doors posted next door Simen ning… Float over… Simen people are still more a report, I Simen! Si gate people four gate 03 ah ah a more than floor master set up a Si gate group everyone in Si gate good business ~~ I am not in Si gate make a face of Si group is better handsome boy I handsome thank you for playing soy sauce don't think I handsome also NC that number was not put out? Am I right? Now I don't have either. I'm not NC, I'm brain-dead. I'm not the same person as him. NC is also contagious ？？？？？ I don't want to follow it seems that the month month is also a brain mutilation ah or handsome head, the identification is completedWho said that about me? Who said that about me? Who said that about me? Who said that about me? Who said that about me? Who said that about me? Who said that about me? Who said that about me? Come out, Tianya is angry. Where's the old post? It's him, it's her, it's it… April post did not see ah what is vest ？？？？？？？？？？？
Sanitary city with such a dirty underground garage… Song Du bar… 500. Get ready. I'll show you some… If you take Shanghai Yida Garden compared with this, you can only count as a child, do not believe yourself to see… Where is this… I've been to see IDA. It's cooler than this neighborhood… It's not… I think it's Garfung's… No, the neighborhood has a nice name, but it's just not what it is… I will take you to see a community five times dirtier than this, the name is very tall, please prepare your 500 yuan do not play on… Any two old neighborhoods would be dirtier… Overlooking the lake… The parking lot in the basement, you may not have made it to the location… It's already good. Go to the basement of Changzhou shopping mall. It's dirty and smelly. Mosquitoes fly around, garbage is not cleaned up, and feces are everywhere. This is Sunny Paris… Is that dirty? It's not normal to be a little gray. I thought you had trash lying around… Bay Bridge… The underground garage of our community is washed with water every month. … There is no dirtiest, only dirtier…. The question is, do you mean what you say? … Dare you bet big… The English mansion… Yanshan Meilin… West Side Garden? High-speed rail station lost ID card, please have a good Samaritan found… To help you… Are you sure you lost it at the high speed train station? Just go to the information desk and ask, wait 1-2 weeks, and then go to replace it if there is no one. … Oh, thank you, you went out today and saw two people wearing archaeological vests, asking about the discovery of an ancient kiln, which is not yet confirmed… From the looks of the picture, at least two violations. … If you don't wear a helmet and you turn left, you don't use your turn signal. 1. Not wearing a helmet 2. Carrying passengers 3. Driving in the wrong direction 4 Yellow card need to pay insurance Have a driver's license, I do not know if… Wearing a vest with traffic immunity. You got a problem with that? … I don't know whose grave we're digging up. … It's legal to wear a vest, huh… I know… Where exactly… Where did you see… Come on, this yellow card is for a battery car… Dig a little bit here. I drilled a few holes in the family's newly renovated house and I did a terrible job of finding my home, and I burned my switch, and now I'm not answering my phone. Don't look for trash like this when you're sewing your new house. Let's see what we can say about this job. … Now consumption everywhere is a pit, hide the first day, hide but fifteen, can only say that the market climate is falling… I'm going to do my own sewing. You must earn what you can earn… Have taken shelter… When you want to collect money, it is better to say than to sing, say that there is a problem to contact her, the result is paid, the phone either says that it is busy for a few days, and after a few days, you simply do not answer the phone, you can see the quality of their work, itself is introduced by a friend, this kind of mobile workers without physical stores, we should take as a warning, especially during the renovation period, the money can not be settled all at once. … If the project is not completed and accepted, the balance must not be settled… White is glass glue, not sealant… It's good… The United States seam is actually to pay (**) tax, three years after the full crack. … Or please people, rookies and old birds or there is a gap, but also a technical life… The whole house customization is the biggest pit, all the density board, the scene splicing, shaky, a mess. … Thank you, lightning… I know… Have avoided the pit Shanghai east beachhead behind the public river every day someone in the net fishing to ask this someone manage? … Is there anyone who will put it every day… … Do not catch fish in the land of rice? … Who cares. … Can't control… It's not the fish pond in your castle… Wild river fish, why not catch? … No one cares… Some people really have nothing to do with hanging up high, a mouth, a keyboard. Why is the Yangtze River closed to fishing? … As long as the water pollution is less, the fish can not catch the bus station next to the Changzhou high-speed railway station, when is the last bus to Shanghai? … The next bus butler… Last flight 6:20 PM… Thank you, everyone. It's 18:20 on 12306. … Will you go to Changzhou tomorrow
A few days ago, cleaning, find out a doctor's card of a hospital of traditional Chinese medicine, only to remember that the balance of one or two hundred yuan has not been used up, as if this kind of doctor's card has not been used up, can it be returned? … Netizen: Hello! Please bring your ID card and medical card to the charging window on the first floor of our outpatient clinic to check for refund procedures. If you encounter special circumstances, please go to the first floor service desk for consultation, our staff will help you. … How do you know how much balance is in it? Shouldn't you be at the hospital? … It's expired. … Where can I deposit money on this card… Can be returned should, I am not used in Xi 'an to come back to return. … Netizen: Hello! Please bring your ID card and medical card to the charging window on the first floor of our outpatient clinic to check for refund procedures. If you encounter special circumstances, please go to the first floor service desk for consultation, our staff will help you. … It's a smart thing to do, you know? Haha… I'm out of my depth… Haha, rabbit Shanghai Zhongguancun development is good ah, behind the city of happiness, there is also a fountain light show on the other side of the Canal Park, the light show is very beautiful, light and shadow changes, water dance flying, feeling that the effect of spending money is quite lively, there are a lot of people, just don't know if it is every night? Or just a few days a week? Does anyone know? It feels good to take a walk there at night and look at the light show. Where is the location? Every night? … The house could go up a bit… Pretty… Stop dreaming. It'll keep falling… The South River commercial complex has been planned on the east side of the North garden of Happiness City. … Friday to Sunday, north of the north garden of the Happy city… I heard that houses in the north of the city fell even more. … There are many exhaust gases in industrial parks, and the prices of second-hand houses and dismantled houses in industrial parks have fallen, and many of them have to rot in their hands. Well, I'll tell my friend not to take the house north of town. … If you bought it in the first half of the year, it's not a problem to lose 100,000… The river next to it stinks. It spoils the view… Fell 5500 a square meter 2 hand room… At this rate of population decline, at this rate of economic decline, the house price of 3,500 is not necessarily affordable… Long named happy city, so later more and more happy. … It's only $5,000 over there now… The green door by the fountain is a failure. The whole park is so beautiful. It's better to put something like a green ghost door than nothing at all… Houses are not for speculation, they are for living, and those who say that they have fallen and risen are not interesting. … The strength of the choice of Yanshan New District, it is said that the Yanshan New District school district is not so good, ordinary families, you can buy the transition of the happy city, marry a wife always buy a house, and then you can change to improve the type. There is no denying that Happiness City is currently the center of Zhongguancun, the east is attached to the South Normal University primary School, the west is attached to the South Normal University Middle School, both front and back are parks. The middle street is a busy street, nothing wrong with that. Up and down, you are not investing, there is no need to get too entangled. … Ask your friend to buy Yanshan New District, which is 2-3 million. … Light night landscape beautification floating bright! … Pay the loan… Could it?
Opera is the treasure of Chinese culture, and the key to the prosperity and development of opera lies in people. The year 2016 is a turning point for the development of opera in Hubei Province. How to revive the "drama dock", how to save the talent team? The Publicity Department of Hubei Provincial Party Committee and the Provincial Department of Education and the Provincial Department of Culture jointly issued a document, deciding to recruit a group of Chu opera, Han opera and Huangmei Opera students from primary school graduates in the province for the provincial Opera art theater, and enrolling Hubei Vocational College of Art in accordance with the "5+2" (the first 5 years of secondary school and the second 2 years of higher vocational education) model. A national attention to the opera small actors "audition" immediately began. In September of that year, three free orientation classes were opened, and 158 "play Miao children" selected from 200,000 children in the province came to the provincial capital and embarked on the seven-year professional learning road. Plum blossom fragrance comes from bitter cold. Yang Jun, the president of Hubei Provincial Opera Art Theater at that time, was affectionately called "the mother of the dean" by the children. She said that the training of opera talents is a long-term systematic project, and the training of children is very important and extremely difficult. At the beginning of the training, the children were bruised and their legs were swollen, and they felt overwhelmed. For this reason, the theater selected 3 young and vigorous backbone experts to serve as the head teacher of 3 classes, and took care of their growth in "strict management" and "great love". "Human, material, financial and mental energy are all poured into opera training." Qin Hui said that Hubei has introduced a number of policies to promote the revitalization of the opera "Grand Pier", a total investment of more than 30 million yuan to support the seven-year system training, equipped with more than 30 full-time teachers, and hired famous masters to enter the classroom, which is rare in the country. The establishment of colleges, the establishment of specialties, the training of talents, and specific measures for the inheritance and development of traditional opera "escort". Follow Qin Hui came to Hubei Vocational College of Art, the reporter saw that another batch of new small pear flowers are learning Chu opera opera "cart will", the teaching teachers are Chu opera famous Peng Qinglian, Chen Changxi, the two teachers group teaching, the students' body, singing, eyes, every detail one by one. "Four times a week, I travel half of Wuhan City to Jiangxia by bus and subway and give 16 lessons to the children." Peng Qinglian said that taking repertoire teaching as the center, taking drama with merit and promoting drama with merit, these targeted skills training will lay a solid foundation for them and accompany them for life. Chen Kun, 19, who plays Yu Lao Fourth in Push the Cart, comes from the Hong 'an Chu Theatre Company and has been trained in the school for four years. "From the beginning of ignorance, to practice basic skills, to learn repertoire, stage performances, step by step into the world of opera art." In the future, I hope to continue to hone my skills and take on a bigger stage." Chen Kun said. When the actors rehearse, the band composed of drum, Yueqin and Jinghu also cooperate. Drummer Huang Siyuan told reporters that they this group of students a total of 29 people, everyone perform their duties, run-in progress, back to the Red an Chu troupe, is a set of can directly perform on stage. For a long time, Hubei has implemented the plan of "Passing on the Torch · Master Art", established the "Opera Master Studio", paid attention to the training of young and middle-aged opera backbone, and organized professional training courses and repertoire inheritance and improvement classes in different categories. And jointly with the National Academy of Chinese Opera, Shanghai Theatre Academy to hold opera director, choreography design training classes, jointly with the China Federation of Literature and Art Research Institute to hold screenwriter training classes, through years of hard work, Hubei opera talent team presented a "orderly inheritance, new people come out in large numbers" happy situation. Colleges and universities are also important positions for the inheritance of local operas. Every Friday night, in the Art School building of Hubei University, there are always bursts of babbling opera, young and young, happy in it. This is the opera corner activity of Liyuan Opera Ancient Style Society of Hubei University. Students of different majors and different ages are sitting around, led by several senior brothers and sisters with good singing skills, learning to sing a "Wujiapo" sentence by sentence. "Nasulong Wei Hu is the media certificate, and Prime Minister Wang is my officiator." Mention others I do not know, that Sulong Wei Hu is a relative…" Whether it is an old opera fan who has been immersed in the pear Garden for a long time, or a small opera white who has just started, they can simply sing along with the melody and gradually become better. "I joined the opera club in my sophomore year, and I really like this simple and strong artistic atmosphere. I listened to and learned more operas, gained a lot of knowledge, and had many opportunities to perform on stage." Hubei University College of literature, a student Zhang Junyan said. Zhou Liling, the instructor of the association and the person in charge of the Communication Center of Hubei Local Opera Colleges and Universities, introduced that since the establishment of the center in 2008, the association has planned and organized a number of college communication activities such as Hubei local opera Forum, a series of opera lectures and "520 I Love Opera Makeup", "Opera Creative Workshop" and "College Opera Alliance". It has achieved a win-win situation between local opera and quality education in colleges and universities. "The New generation of opera is a new generation that spans the opera industry, universities and new media, and their creativity and vitality can make traditional opera develop vividly in the new situation." If we can establish a mechanism to cultivate young talents in the three fields, it will be of great significance to the communication of college opera in the new era." Zhou Liling said. Now in Hubei, Huimin performances emerge in an endless stream, and opera culture has become a common trend. In recent years, Hubei has compiled the "Revitalization of Wuhan Opera" Grand Pier venue Construction Plan ", invested 500 million yuan in the construction of Tan Xinpei Grand Theater, invested 600 million yuan in the construction of Wuhan Opera Art Center, and created a new landmark of "Opera pier". Hongshan Auditorium, Hubei Theater and Wuhan Theater have been upgraded successively, and Hubei opera performance facilities have ranked among the top in the country. In accordance with the requirements of convenience and convenience for the masses, small opera venues such as Jingyun Grand Stage and Luojiashan Theater were repaired and renovated, and a number of opera "pocket parks" were built.
Like Kafka, Freud has become part of our thought - our common property, so to speak. We are familiar with concepts such as the unconscious, id, ego and superego. George Herbert Mead, the philosopher, sociologist, and psychologist who contributed so much to our thinking about identity, did not use these terms, but ultimately he had the same thing in mind when he spoke of the "Lord and I" and the "guest and I." The "Lord I" is the result of my thinking, the thing that I really am, the real thing. But I am divided, because in addition to this internal "Lord me," there is an external "guest me," that is, the beliefs of the people around me about me, about me, about what I really am. Our life is a struggle for peaceful coexistence between "the Lord" and "the guest". Mead says that an individual's identity is determined through interaction with other individuals. There are many different "guest selves," and the task of the "Lord's self" is to synthesize them into a coherent self-image. In "fluid" or "transient" modernity, identity in its current form is related to such interactions, but more complex. Nowadays, each person has not only multiple "guest selves", but also multiple "Lord selves". You are particularly concerned about this phenomenon. Today, identity is a matter of negotiation. It does flow. We are not born with an established identity that will never change. Plus, we can be multiple people at the same time. When chatting on social networking platforms, you can choose a specific identity in the conversation, and then choose another identity in the next conversation. You can change your identity at any time, and different identities come and go. The interaction between the "I" and the "superego," or the "Lord" and the "guest" is part of our daily work. Freud laid the foundation for our understanding of this interaction. In the context of criticizing today's rampant consumerism, you've discussed the idea of identity as a fashion accessory. You say that the consumer society makes it difficult to be happy because it depends on our unhappiness. In this context, the word "unhappy" is too big. But every marketing manager will insist that his product will satisfy consumers. If that were true, we wouldn't have a consumer economy. If the need is really met, there is no reason to iterate on the product. The left in 1968 called this the "horror of consumerism." What is the difference between consumption and consumerism? Consumption is a characteristic of the individual; consumerism is a characteristic of society. In a consumerist society, the ability to want, desire, and desire something is removed from the individual. It is materialized, which means that it becomes a force outside the individual. It is difficult, or almost impossible, to resist this force, because everyone is subject to it. The desire to satisfy all the needs created by business becomes an addiction that binds society together as a whole. To understand this, one needs to look at history. At the end of the 19th century, many artisans lost their workshops and fell into poverty. But the new factory owners, whose actions had led to the development, again found it difficult to find enough workers. As long as there is bread to eat every day, they will not be willing to submit to the discipline demanded by the factory. The pioneers of the modern market economy feared craftsmen. The bogeyman feared in today's consumer economy is the traditional consumer, because the traditional consumer is satisfied with the product she/he buys. Rather, in contrast to previous forms of consumption, consumerism associated happiness with an increase in the number of desires rather than the satisfaction of needs. This growth requires the constant and rapid use of new things to satisfy these desires. Although the consumerist society claims that satisfying the consumer is its goal, in fact the satisfied consumer is its greatest threat, because it can only continue to thrive if its members are not satisfied. The main goal of marketing is not to create new goods, but to create new demand. That's why products that were the latest in style and advertised as objects of desire a moment ago can suddenly be derided as "obsolete." Children as young as five years old are trained by the consumer society to be "dissatisfied consumers." On Sundays, they will go shopping with their parents in a world full of interesting, exciting and tempting goods. When they get tired of it, they throw it away. Markets include not only goods, but also consumers. As you say, they are also commodified, which brings us back to the question of identity. Consumerist culture is characterized by the pressure to be someone else, to acquire traits that are in demand in the marketplace. Today, you have to market yourself, you have to think of yourself as a commodity, as a product that attracts customers. Members of a mature consumerist society are themselves consumer goods. Paradoxically, this compulsion - which forces you to emulate the "deserving" lifestyle being peddled by current market sellers and thus modify your own identity - is not perceived as external pressure, but as an expression of personal freedom. Today, many young people only want to become famous by Posting videos on social networking platforms or any other means. As for what else they could do, they had no specific idea. What does that mean? For them, being famous means being in the headlines of thousands of newspapers, or appearing on millions of screens, being talked about, being noticed, being wanted - like the bags and shoes and gadgets in glossy magazines that they want for themselves. Turning yourself into a desired, marketable commodity increases one's chances of getting the most attention, fame, and wealth out of the competition. This is what today's dreams and fairy tales are made of. According to French sociologist Francois de Sangli, identity is no longer a question of roots. Instead, he used the metaphor of an anchor. Unlike pulling out one's roots and freeing oneself from the guardianship of society, pulling an anchor is neither irreversible nor a decisive event. You don't like that. Why? We can only become someone else if we cease to be what we are now, so we must abandon our former selves forever. Because of the endless stream of new options, it won't be long before we see our current selves as outdated, unsatisfactory, and uncomfortable. Doesn't the ability to change what we are also contain the power of liberation? Whether in the United States or New Zealand, then or now, this is the motto of the people: Reinvent yourself! Of course, this strategy is not new: When things get tough, turn around and run. People try to do that all the time. What's new, though, is escaping your own desires by choosing a new self from the catalog. What began as confident steps toward a new horizon soon became an obsessive routine. The liberating "you can be someone else" becomes the compulsive "you must be someone else." This sense of obligation is not like the freedom people seek, and many people rebel against it.
In the singing of Shanxi Zuoquan folk song "Peach Blossom, Red Apricot and White Flowers", Jiang Jianbo, a scholar of cultural travel and master's tutor of Shanxi University of Finance and Economics, visited Shanghai Library (East Hall) to share his new book "Shanxi on the Earth", and told about this calm and heavy province through multiple groups of human geography dialogues. He said that the warm and traditional Shanxi people, the open and enterprising Shanghai people, different Chinese people are working together to build the same Chinese dream. "The steadiness of Shanxi and the exuberance of Shanghai constitute China's past, present and future." At the sharing meeting on November 11, Jiang Jianbo mentioned, "Shanxi on the earth is built on the four-dimensional overall space of 'heaven - earth - God - man'. If we take a more grand position and look from Shanxi in the mountains and rivers to Shanghai in the East China Sea, a space with similar connections will be presented to us." And this is 4100 years ago, Hedong salt pond (located in Yuncheng, Shanxi Province), the two ancestors Shun, Yu led the ministers to sing the song, meaning the pursuit of light, the revival of China. For example, on the human and divine level, the City God Temple in Shanghai is dedicated to Huo Guang, whose ancestor was named after his founding at the foot of Huoshan Mountain in Shanxi Province. Songjiang Tang Jing Building in Shanghai and Wutai Foguang Temple in Shanxi are both powerful witnesses of the Sinicization of Buddhism. Shanghai Tower and Yingxian Wooden Tower both use the "double sleeve" building structure. "Shanxi on the Earth" is described in 28 representative geographical coordinates, including Huanghe Jinshan Grand Canyon, Hedong Yanchi, Wutai Mountain, Yingxian Wooden Tower, Xinghua Village, and so on, which is called "Shanxi Museum on paper" by readers. The book describes in detail the structure of this wooden peak tower in Ying County: entering the first floor, you can see a circle of outer columns and a circle of inner columns, and the octagonal plane of the tower is divided into a corridor for believers to walk and worship (outer slot) and the tower ventricle for enshrines the solemn Buddha statue (inner slot). Inside the center of the tower, in addition to the two north and south walls, the other six walls are painted with six large Buddhas with circular arches 趺坐. Together with the 11-meter-high sitting Buddha in the center, they form the layout of the past seven Buddhas. Looking around, it is also seen that the inner groove and the outer groove are closely connected through the longitudinal and transverse structures such as beams and square beams, forming a double sleeve structure with strong rigidity. Modern architecture calls this mode "tube in tube". In Jiang Jianbo's view, to understand Shanxi, just skimming a few places, is far from enough, "go deep into Shanxi, and even spend more than 100 days." He suggested to the reader that the plan could be based on the four counties in Shanxi during the Han Dynasty. In Yanmen County, Xinzhou, Shuozhou and Datong, you can enjoy the most splendid ancient Buddhist art in Shanxi. In Taiyuan County of Jinzhong, the provincial capital and its vicinity gather rich museum resources and Jinshang ancient town style; Hedong County in the south of Shanxi Province, which is equivalent to Linfen City and Yuncheng City, is an important area where Yao, Shun and Yu created rituals and music, so many ancestral temples were left, including the tomb of Emperor Shun and the Temple of Guan Di. Finally, Shangdang County in the southeast of Jin retains a large number of relatively complete local architectural groups, and the "Golden Triangle of ancient architecture" composed of Gaoping City, Lingchuan County and Zezhou County is worth appreciating. Book reviewer, Shanxi Radio and television editor Xu Wensheng also came to the scene that day. He commented: "This book is also a good book for the world to re-understand Shanxi and China. In the formation and trend of freedom and unity, individuality and commonality, Shanxi has gradually formed the values of "stability as the root, people-oriented, Shou as the principle, and harmony as the purpose" at the beginning of the farming civilization, and it is deeply rooted in the soul and genes of the people, and has an influence to this day. In the view of Qin Chang, the host of the scene, from Shanxi on the Loess Plateau to the Oriental pearl Shanghai, in the face of the great clash of cultures, it is because the Chinese nation's basic adherence to the "ritual and music order", the fundamental confidence and strong sense of belonging to thousands of years of excellent traditional culture, so that we can again and again internalize foreign thoughts and cultures into elements that meet our own development requirements. In order to achieve the stable operation of society, "This is the most exciting sentiment of this lecture."
At the foot of the Yellow Crane Tower, along the river into the bustling old streets of Wuchang, where there is an ancient theater hidden. Every weekend, the gongs and drums are clanging, the play is even on the stage, and the audience is not only stumbling old fans, but also college students from surrounding schools, and tourists who come to the nearby Tanhualin scenic spots. "The Yongfang Ancient Theater used to be an old 'theater den' in Wuchang, but it has been dormant for years due to disrepair, and sometimes there are more actors on stage than there are audiences off stage." What impressed Guo Guowei, head of the Chu Troupe of Hubei Provincial Opera Art Theater, was that after the Spring Festival this year, the renovated ancient theater was opened to the public again, and this time, it seemed to "come alive". Watching the seats of 200 people were slowly filled, and even the scene was full, Guo Guowei felt that the theater was "reborn", and the spring of the opera was coming again! At the scene, the reporter saw the figure of the familiar young actors, and also got a glimpse of the ancient theater "popular" password. Compared with the tension before a performance at a local opera and art festival, the actors here are significantly relaxed, and the backstage laughter is constantly. "I have performed a lot of times, at the beginning there will be pressure, gradually more comfortable, confident, especially after every performance to hear the audience's warm applause, is my happiest time." Said Li Yang, a Huangmei Opera actor born in 2003. Yongfang Ancient Theater has become a position for young actors to accumulate stage experience. "Young actors need a platform to show their performances, and traditional opera also needs the relay and vitality of the new generation." Mei Pengcheng, general manager of Hubei Opera Art Theater, said that regular performances by the orientation class students who just graduated from Hubei Vocational College of Art not only gave young people the opportunity to exercise, but also attracted many young fans and literary and artistic youth, and the old theater became a new "Internet red" place, and it was an instant red on social media. National Vocational College Skills Competition Opera Performance Award, Chinese Children's Opera Little Plum Blossom Festival, the ninth China Peking Opera Art Festival… From the small theater to the big stage, this batch of skilled and excellent character of the new drama has been in a number of provincial and national important performances and awards. In April this year, Beijing Meilanfang Grand Theater, nearly a thousand audience watched the fourth "Lihua Cup" national youth drama education and teaching achievements exhibition activity, the Han opera "Sizhou City" and the Chu opera "Three Dozen Golden Branches" instrumental performance performed by young actors trained by Hubei Vocational College of Art won the "Excellent exhibition work" and "Music Exhibition" awards, which were highly praised by the industry. In addition to the rapid growth of a number of "post-00" rookies, "post-90" and "post-80" new stars have also shone on the stage. Not long ago, the 14th Hubei Drama Peony Awards were presented in Wuhan. More than 10 young opera performers from Hubei, including Sun Shuaikang and Yi Weizi, took the stage to accept the awards. Their operas covered Peking Opera, Han Opera, Chu Opera, Hubei Yue Tune and Flower Drum Opera. A blossoming "peony flowers" blooming stage, for the budding "plum blossom" ready to go. That night, the Huimin performance attracted fans from the three towns of Wuhan to compete to go to the Jingyun stage was full. Sun Shuaikang, 25, won acclaim for his performance in the Hubei Yue tune "Small Dinner". "We learned from the performance characteristics of Jin opera, with feathers to show Lu Bu's mood." Sun Shuaikang explained, "When I went to Changzhi, Shanxi Province to learn from the teacher, it was snowing that day, the teacher said, you are the fourth to come to me to learn, the people in front of you finally gave up, you are sure you can endure hardship?" This bitter Sun Shuaikang ate. The head is extremely tight, with the neck force, control the two feathers on the head dancing, two hundred circles in the morning and two hundred circles in the afternoon every day, he practiced for a whole year, "after practicing, after vomiting, continue." "Hubei Yue Tune is a non-heritage drama, condensing the efforts of the elders, although the middle was once asleep and on the verge of extinction, but now that we have entered this group, we must shoulder the responsibility of inheritance." At the same time, we will learn from big operas and add innovative elements such as coloratura, so that the road of Hubei Yue Tune will become wider and wider." Sun Shuaikang said. Wang Xinmin, the old head of the troupe, is pleased that compared with the old facilities and morale of the troupe ten years ago, there are now a large number of talents. In 2014, a new play "Looking at Sun Sun" saved the old Hekou Yu Opera Company at that time. Later, the company changed its focus from Henan opera to revitalizing Hubei Yuetao, and changed its name to Laohekou Hubei Yuetao Xianren Flower Drum Opera Art Protection and Inheritance Center. Since 2016, the company has recruited nearly 30 new young people, and the average age of actors is now 23, with the youngest being 16. When the reporter came to the waiting area of the Peony Award performance, not only the actors, but also the musicians, makeup artists and logistics teams of the troupe were all young faces, and the breath of youth came to their faces. They are active in front of the stage and behind the scenes, and are determined to become the leading actors and top talents of various kinds of dramas and drama groups in Hubei Province. In 1989, He Jingzhi, a famous poet and playwright, made a special trip from Beijing to Wuhan and gladly wrote an inscription for the newly established "Hubei Drama Peony Award" - "The leader has an early spring, competing for peony flowers". Time flies, Hubei Drama Peony Flower Award has gone through 34 years. Among the 32 winners of the "Plum Blossom Award" in Hubei Province, 28 of them went from the "Peony Flower Award" to the podium of the "Plum Blossom Award" and "Erdu Plum" of the Chinese Dramatists Association, becoming the leader of today's drama stage. Yang Jun, chairman of Hubei Provincial Federation of Literature and Arts and a famous Huangmei Opera artist, encouraged the young actors at the award ceremony: "This honor confirms your hard work and persistent efforts to pursue your dream stage, and represents your love and sincere feelings for the art profession and drama career."
Recently, Chang 'an Street Reading Club and Guangdong People's Publishing House jointly held the "Exploring the Future of Nuclear Energy in the Fukushima Crisis - Atom and Ashes" new book sharing meeting. Professor Zhou Tao, Vice Chairman of the China Nuclear Industry Education Society, Director of the Department of Nuclear Science and Technology of Southeast University, doctoral supervisor, full-time director of China General Nuclear Power Group, adjunct professor of Southern University of Science and Technology and Xiamen University, Professor Yin Xiong, researcher level senior engineer and Doctor, led the book. Two experts in the field of nuclear energy research and nuclear energy industry, through video link, from both academic and industrial aspects, on whether nuclear power plants are safe, why nuclear leakage accidents occur, what impact on our lives, China's nuclear technology development and other issues of common concern to the public, bring authoritative and detailed interpretation. Professor Yin Xiong believes that it is necessary to define the concept first, conventional nuclear power plants discharge nuclear wastewater, is treated and harmless to the environment, and the nuclear sewage discharged by Japan contains a large number of radioactive substances, which will cause great harm to the environment. The two concepts should not be confused, let alone questioned about the safety of nuclear power plants. He believes that the Japanese government has violated the three basic ethics of responsibility, technology and fraternity in this incident, which has had a psychological impact on the people of the Pacific coast region and caused great harm to the global environment and Marine life. The Chinese government is a responsible government. On the one hand, it will continue to exert pressure on the Japanese government, including politically, economically and diplomatically, to urge the Japanese government to comply with the call of the people of the world and stop the discharge of the remaining nuclear sewage. On the other hand, the relevant functional departments and enterprises of the Chinese government will strictly test the water quality, Marine life and seafood in the relevant waters, especially the Marine food that may be placed on the tables of the Chinese people, and will take corresponding measures even if there is a small problem. At the same time, he reminded the general public that buying iodized salt will not help prevent nuclear contamination and damage. Medical iodine tablets in nuclear power plants will only be used in the event of major radioactive material leakage accidents, and there is no need for ordinary people to take them. Regarding the safety of nuclear power plants, Professor Zhou Tao believes that the reason why nuclear power plant accidents are concerned by the public is related to the low risk rate and high risk characteristics of nuclear power itself. In fact, for more than 400 reactors in operation in the world, major nuclear accidents have only been in the single digit for decades, and the probability is not high, and the fatality rate of nuclear accidents is far less than traffic accidents. Or the energy industry other than nuclear power. However, the safety of nuclear power technology itself is sufficiently guaranteed, he took the Three Mile Island nuclear accident in the United States as an example, and the research results after many years showed that the cancer prevalence of local people did not increase after the smoking factor, which can be seen that its safety. The pressurized water reactor used in the Three Mile Island nuclear power plant is completely consistent with the technical route adopted by China. Most of China's current reactors are pressurized water reactors, which are designed with containment vessels and are safe enough to ensure safety. Nuclear safety is an important part of national security and people's security. As a person in the nuclear energy industry, it is still a long way to go to popularize the development of nuclear energy to the public. With public support and people's understanding, nuclear power can move forward better, faster and healthier. Nuclear power governance, nuclear safety governance, is an important part of the modernization, to ensure that nuclear power is foolproof, to eliminate the public because of the nuclear power technology is not familiar with the doubts, and then increase social support for nuclear power recognition, to create a good atmosphere for nuclear power. In the double background of energy crisis and environmental crisis, nuclear energy is a very good alternative energy, but the danger of nuclear radiation is self-evident, as Professor Proloki, the author of the book "Atom and Ashes", said: "When it is safe, nuclear energy is the cleanmost energy in the world; In the event of an accident, nuclear power is the dirtiest energy source in the world." So how do we deal with this contradiction when it comes to developing nuclear energy? How to develop nuclear power more safely? Professor Yin pointed out that nuclear power is comparable to other forms of new energy, including solar and wind, in terms of environmental benefits. As the known energy source with the highest energy density, it is also a low-carbon energy source, which is irreplaceable in strategy. The technology maturity of nuclear power, economy and general safety have been verified in the history of nuclear power development, large-scale use of atomic energy technology is completely feasible. Although nuclear radiation is a threat, mankind has mastered the basic methods to avoid this threat. Professor Zhou then introduced that China has made great progress in the research and development, application and autonomy of new reactors: reactor technology is gradually realizing the leap from the second generation to the third generation, research on nuclear fusion is also increasing, and private capital has also appeared in the nuclear energy field, and the entire industry is full of vitality. The two experts finally discussed the six nuclear accidents described in the book "Atoms and Ashes", and agreed that although several major nuclear accidents in human history have environmental factors, the most critical factor is the human factor, which is not mature technology, management defects, government supervision is lacking, and the safety awareness of practitioners is indifferent. In the context of the general environment, there are also reckless and reckless behaviors that ignore safety facilities and safety management for performance, and these problems are generally due to the lack of nuclear safety culture. Fortunately, these devastating nuclear accidents have also encouraged us to think about and improve nuclear safety measures, improve safety standards and enhance safety awareness, and there is every possibility that the nuclear industry can prevent problems before they occur.
Kong Fuzi is not a moralist who speaks of benevolence and righteousness, and what he teaches his students is not an abstract theory. He does not encourage his students to be nerds in the ivory tower, but rather to show their skills in the real world. One of his disciples Zixia said: "Learning and being good makes a scholar, and being good makes a scholar, and studying and working as an official should complement each other." There are many life experiences in the Analects of Confucius that teach students how to behave in the world. Some people say: It is better not to read than not to know people. The first thing to do in life is to learn to read people. Confucius taught, "Look at his reasons, see his reasons, and see where he lives." How can a man hide? How can a man hide?" To understand a person, there are three points: the first is to look at his motivation; The second is to observe his means of doing things; The third is to examine what he is comfortable doing. If these three points are clear, what else can people hide? These three points look simple, but it is actually not easy to do. Even old Master Confucius had mistakes, and he once said bitterly: Take people with words, and give them when they lose. Zaiyu was an excellent disciple of Confucius, and his eloquence was excellent. At first, Confucius heard him speak very insightful and liked him very much, but later found that the boy was a little inconsistent. Once, Zaiyu sleep during the day, Confucius looked very angry, said: "rotten wood can not be carved, the wall of dirt can not be carved, rotten wood can not be carved, the long pile of dirt walls can not be painted." That's a pretty good comment. It's every word. Not to mention this, Confucius went on to say, "From the beginning, I listen to others and believe in their actions; Now I listen to what people say and watch what they do. "At first, when I hear what people say, I believe what they do. Today, when I hear his words, I examine his deeds. It can be seen that to know people, first learn to speak. Confucius said, "If you do not know what you are saying, you cannot know who you are." However, Confucius gives people the feeling that he does not love to talk, he teaches students "gentlemen want to be slow in speech and quick in action", but in fact, Confucius not only loves to talk, but also a master of talking, he hates is "rhetoric", rhetoric, is "off-guard", full of mouth running train, east parents, west family short and so on. And Confucius speech is very careful, pay attention to "therefore less than the tongue", that is, a gentleman's word, four words can not be recalled. So, how should a gentleman speak? Confucius said, "If you are with words but not with them, you lose people; Do not go with words and with words." Should not say, lose friends; You shouldn't be talking nonsense, wasting your breath. Confucius also taught how to talk with teachers, leaders, etc., "What is not enough is called mania, what is not enough is hidden, what is not seen color is called blind." You rush to speak before it is your turn, this is rash; It is your turn to say, but you do not say, this is deliberately concealed; He who speaks without looking at the faces of others is blind. This is Confucius's philosophy of speaking. Confucius also had his own ideas about making friends. As we know, friends are very important in life. How to make friends? Confucius said there are three kinds of good friends and three kinds of bad friends. Good friends are: friends straight, friends understanding, friends informed, that is, honest people, honest people, well-informed people, these three kinds of people are good friends. Bad friends are: friends will be open, friendly and gentle, friends will be sycophant, that is, the heart of the evil and not right people, good at flattery, used to talk people, these three kinds of people are bad friends. About making friends, Confucius also has a general principle: no friend is better than oneself. Don't make friends with people who are not as good as you, of course, this is not to make everyone snobbish, but to communicate with people who are stronger than you in virtue, knowledge, and ability. It's important to have a sense of proportion when dealing with friends. Confucius said: "The number of the king, shame; The number of friends is sparse." It means that if you give repeated advice to the leader, you will incur humiliation; Repeated advice to a friend will lead to estrangement. What to do? "Advice and good way, can not stop, do not humiliate yourself", that is, Confucius said the middle way, to be impartial, compromise, do everything, to grasp the degree, grasp the heat, neither can not meet the requirements, can not do too much, the so-called too much.
Research content:Data on hand-washing patterns in four different stages of COVID-19 were collected, and multiple logistic regression was used to study the effects of gender and stage of COVID-19 on hand-washing patterns.Dependent variable: hand washing methodIndependent variable 1: Gender identity;Independent variable 2: Outbreak, Vaccines, Variants and Post have been set as dummy variables, with Outbreak as the reference. The main research question was the effect of gender on hand washing patterns, and that's done. Question: Further analysis of the interaction effects of gender and the stage of epidemic development on hand-washing patterns (i.e., whether hand-washing patterns between men and women at different stages constitute significant differences). Is it possible to use multiple logistic regression for interaction effect analysis? If so, how to select factors (including dummy variables) for interaction effect analysis operations? The forced fusion of medium and being is a technological ideal that is difficult to explain. But in addition, behind this ideal, there is also a social ideal, that is, media extendivism wants to maximize individual freedom through the meta-universe. The logical basis of this maximization is that since the meta-cosmic level of media is everywhere, then everyone is in the "private" "definition" and use of the media, they can freely enter the virtual space, freely choose relations and identities; Moreover, because of the fusion of the virtual and the real, the virtual freedom acquires the real meaning. However, in the "freedom" brought about by the infinite extension of media, the definer of media seems not so simple. Of course, since everything is a medium, all people involved in relationships are definers in this sense. However, even the media extensionists cannot refute the fact that meta-cosmic media necessarily rely on vast algorithms and their material carriers (i.e., the platforms, facilities and protocols mentioned above), and thus cannot be separated from institutional entities, producers and managers, as well as the administrators and legislators who govern at the highest level of the community and represent the community as a whole. These people's definitions have real authority; The users define only the information and scene content, and they themselves are only the definition objects of the media authority. Thus, since not everyone is a definer, there is no possibility that users and mediators can define together. In addition, the definition of managers and managers is not entirely transparent to users, or even necessary; Users are often passive, just as we are suddenly forced to face the "meta-universe" propagated by some institution. However, in the ideal of infinite media extension and infinite human freedom, institutions, institutions, societies, and realities seem to perish in the future vision; The individual is the new intermediary "alien," and society is subject to the new relationships of these individuals. If the boundary between the virtual and the real, between the individual and society (represented by those in power), is smoothed out in such a vision, and some kind of universal world is constructed, then a new boundary of reason seems to emerge. The underlying "meta-problem" with three links is: how to imagine a world that is both "virtual" and "real" at time t, whose essence is defined by both "private" and "public", which is both "free" and "not free"?
Since the concept of "meta-universe" "landed" in the Chinese thought circle in 2021, it has become a new opportunity to trigger theoretical thinking. A variety of cutting-edge questions have been asked about this "event," focusing on the trendy terms and abbreviations repeatedly used in tech hardware; On the other hand, many questions focus on humanistic reflection and future assumptions, which are connected with metaphysics or ontology, ethics, philosophy of science and technology, law, political science, aesthetics, art, etc., and the investigation has two tendencies of optimism and pessimism. The urge to ask questions is natural, but there is also a lot of suspicion. On the first, much of the discourse is simply about rephrasing established things; The second, and much more involved, is the unstandardized "possible" question of scientific fact, to which one has all the answers, even if the answers are contradictory. We focus on the latter kind of problems because they are better reflected in the mental boundaries presented by imagining future prospects. Our approach is to attempt a philosophical "meta-question" mapping of these questions. In other words, it is to re-examine and evaluate the "ways or attitudes" in which the humanities and social sciences have raised various possible questions over the past year or so; At the ideological level, what theoretical structure leads them to believe that "a problem exists (or does not exist)" in the meta-universe phenomenon. The "drawing" method is a kind of "ideological geography" treatment, that is, the "problems" of different positions and field backgrounds have different "conceptual geography", which contains the plural "meta-problems" of different distribution. The reason why it is necessary to draw such an original problem is that the meta-universe is the "place to go" that has yet to be drawn. It has the potential to give us exactly what it has not yet given us, and that is why it is possible. Based on the various "meta-questions", we can see which are true questions and which are merely repetitions and branches of the original question. This paper attempts to start from five perspectives, which relate to five positions on the meta-universe, respectively, from the typical propositions put forward by some scholars in the past year or so: first, the converging free world of extended mediaism and its conception; Second, the fractured imagination based on postmodern difference theory; Third, the equal demand and capital criticism of the meta-universe; Fourth, the ultimate significance of the meta-universe to human beings from the perspective of existence; Fifth, the fantasy of the new person based on the virtualization of the body. In each case, we will generalize with one or more "meta-problems" that contain contradictions, thereby revealing the limits of how the mind can deal with the phenomena of the meta-universe. For such a new concept of the meta-universe, this may also be a new way to summarize and evaluate. The same Utopia: extension and suppression Since the space of the meta-universe is virtual, and information resides in matter and transmits the meaning understood by the mind, it is natural that the meta-universe should be equated with the information medium. This is why many communication scholars pay special attention to it, and their position can be named "extended mediaism". This theory is based on McLuhan's classic definition: the medium is an extension of man. They are trying to make the medium universal, to accommodate (and even replace, replace, and reconstruct) the entire real world, and the meta-universe is exactly what they need for this infinite medium. Their argument can be summarized as follows: First, media is the expression of human social relations, even the relationship itself; If relationships reach infinity, the medium is everywhere; Since the meta-universe is a cosmic medium, it (necessarily or possibly) gives the medium the greatest extension. Second, when this extension reaches infinity, since the connection between the medium and human thought and activity is at its strongest, then the meta-universe becomes an indispensable infinite medium for contact with reality; Because reality and the media are so closely related, reality itself is the only omnipresent medium. For example, some scholars confidently predicted the media vision represented by the meta-universe: "The future media will no longer be (or mainly not) a series of fixed 'entities', the new media form is a' network 'woven and weighted by algorithms, is a complex system", is "the highest form of' human relationship connection 'in the real world". So the future will be the "era of context," the era of "always on," where "almost everything you do offline is done online." Here the "intermediation" of the media itself is emphasized, although all the affairs are handled online, the difference between it and the offline is still obvious. However, he also argued that the iteration of media will evolve into an era of "everything is media", and media will shift from "a tool for conveying information" to "a link of relationships", even a cup of coffee is a medium for conveying information. Leaving aside the fact that coffee seems to convey information without the iteration of a medium, here he seems to extend the medium to all actual beings as long as they can serve as a contact medium for social relations. However, the contradiction lies in the fact that the medium is only the carrier and "online" system of the information of the existence (the existence), why has it become the existence itself? The answer seems to lie in the metaverse itself, which as an information medium or "open source platform" has been extended into the "form" of the universe itself, the objectified data model. In a sense, this is a modern "algorithmic" version of ancient Platonism. In the meta-universe, "the virtual and the real are highly interoperable." The meta-universe "through the upgrading of immersion, participation, sustainability and other characteristics", with the help of "many independent tools, platforms, infrastructure, and collaborative agreements between various subjects", the boundary between virtual and real is completely eliminated, and unified into an infinite, organic "ecological level complex system".
For the communicator, social relations seem to be nothing more than a free, optional and changeable interpersonal interaction, so that the "reality" as it is understood is nothing more than a collection of external phenomena and information perceived by the individual. In this sense, the "blending of virtuality and reality" is nothing more than the "similarity" of fleeting appearances and their replicas, neither of which is the real reality. On the contrary, Marxist social relations are reality itself. To criticize this aspect is to grasp the essence of the meta-universe to a large extent. There are two approaches to such criticism: one is to actively maintain the meta-universe and the powerful productive forces it represents, and to be vigilant and transform the hierarchical relationships in it; The other is to completely return to the technical level and production relations of the metauniverse, to return to Marx's critique of capital, to reveal that the essence of the metauniverse is nothing but the condensation of capital under the production of new technologies. For the former approach, some scholars have used Marx's "phantom metaphor" and pointed out quite perceptively that the real effect of the "meta-cosmic structure" is that "the relations between people acquire the nature of a virtual body, and thus acquire a 'ghostly object', which masks its basic essence with its strict, seemingly perfect and reasonable autonomy." That is, all traces of the relationship between people ", "the meta-universe is not a romantic illusion that has got rid of the real social relations", it is precisely based on the "real social relations", is "a new landscape, a reshaping of social relations presented under virtual and digital technology". Such social relations are, of course, hierarchical and involve material interests, for which the meta-universe becomes a disguised instrument. However, in his view, we do not have to "destroy the technological foundations of the meta-universe," but to explore "how to use the space of the meta-universe to shape shared and equal social relations." In this regard, removing the centralization of the media platform itself seems to be one of the measures to equalize the meta-universe. This vision of equality is also positively and critically conceived in the latest work of F. Richard Yu: "Like our real-world universe, the meta-universe has developed special socio-economic structures in an orderly manner." It enables the rapid flow of matter, energy, information, and intelligence, effectively reducing the imbalance of matter, energy, information, and intelligence, thereby promoting the stability of the meta-universe and the real-world universe." He argued that metaverse evolution follows the laws of the real universe (such as Maslow's hierarchy of needs), but is faster and creates elements that are not present in the real world. Obviously, for the "equality" that is difficult to achieve in the real universe, we can only hope that the meta-universe, although it is still unequal at present (because it must conform to the laws of the real world first). Compared with the relatively moderate position above, the representative of the latter approach seems to be more austere. In this view, since the development of technology and intelligence is nothing more than "the infinite desire of capital for surplus value", then the sudden emergence of the meta-universe assumption is actually "another wonderful exercise of capital and technology collusion", "but the internal need of financial capital to explore new investment growth points for itself"; Since the meta-universe relies on the "technological base", it must be "a manifestation of technological radicalization promoted by the logic of capital in the big industrial age", in the world of the meta-universe, "people will have to live more and more dependent on the development of network technology", "financial capital will be more and more dependent on the sale of new concepts to sustain its life". When the shelter is removed and the capital is exposed, the relationship between "virtual" and "real" is not the same/different and continuation/rupture in the ideal sense. Whether virtual and reality are parallel or integrated, they are either fierce struggle, or hidden. The metaverse can be a revolutionary opportunity to overturn inequality, but won't it also be a substitute for illusory compensation? In the sense of the above phantom metaphor, will the meta-universe also become an Althusserian picture of an "ideological machine," another kind of spiritual opium? This illusion itself has led many scholars to overlook the capital game at play. The meta-universe is only a new battlefield (or "mental battlefield") of real struggle and compromise. Thus, another meta-problem arises, or an ancient conundrum: how to conceive of a space that is both intrinsically combative and harmonious? Iv. Ontology and the Anthropocene For the previous meta problem, we can also ask, how can we conceive of a more "original" meta
After watching the hit movie "Hello, Li Huanying", I don't know what the Chinese name means, but the English Hi, mom! The connotation is clear at a glance.Of course, there are no ups and downs in the film, magnificent scenes, are real life trifles, and even some trivial.But these seemingly trivial things reveal a real mother who is probably close to everyone's own mother.After watching it, my first feeling was that it was too real, and my mother should have come this way.Such a film easily resonates with everyone, but also causes everyone to reflect.The child wants to raise and the parent is not there, such tragedy and sadness are imagined and interpreted at the end of the film, living in the moment and getting along well with parents is really a very happy thing!The taste of the world is Qinghuan, family happiness is reunion.Every parent wants their child to be beautiful and their daughter to be beautiful, but almost all parents accept their child unconditionally, no matter what the child becomes.Parents love their children, forever, forever, even if the parents to the age of need to take care of children, but the thought of children, or the first thought is to take care of…Parents and children are a kind of difficult to give up the family, but also a kind of eternal fate.
After graduation and working for four years, I realized a magnificent turn of identity within a month and finally became a university teacher. Like many graduates, when I first graduated, I had no worries and wanted to go out and earn more money. As a result, I have changed four jobs in four years, and my salary has also changed from 4,000 to 6,000 to 10,000 before, and then to 6,000 now. In general, although I can't earn as much as my classmates in first-tier cities in Beijing, Shanghai, Guangzhou and Shenzhen, I can cope with my daily expenses, and I can also have 25w more and a lot of savings. But as the girlfriend became a wife, and her job became stable in the local area. In addition, there is a wife, a house is the place is home, do not want to live most of the time is divided between two places, only through the year through vacation or leave to be together. Therefore, in June this year, I decisively gave up the opportunity of high salary outside and chose a job in the same city with my wife. Although in the same city, but the home and work are not close to each other, it takes an hour or two to travel back and forth, my wife is still on the Internet to help me pay attention to the right opportunities. Just in August, my wife saw a university recruitment career management teacher announcement, and this university is only a road away from our community. When I saw this announcement, I was also moved, because my ideal life is to walk home within ten minutes after work! In order to successfully enter the school work, you must go through a written test and a structured interview. As a result, I began to actively prepare for the preliminary exam, that is, the written test, as required. Because the written test does not specify the textbook, I can only according to what they say on the Internet to search for textbooks to buy review. Because I am reviewing while working, compared with those fresh graduates who are very tight on time, I squeeze time to read it after work, and I record what I have learned and need to remember into audio, and listen to it repeatedly on the way to work every day by riding a tram, and finally I can tell almost every important knowledge point. However, sometimes fate is always joking with you, in the review of more than half a month, into the examination room, when the paper was issued down when I knew that the original review content and the knowledge to be tested is very different, with their own accumulation I am serious really done, until the last moment to hand in the paper, feel that this will be finished, the content of the review did not test, see the knowledge is white. I didn't expect to make it to the interview (nearly 300 people took the initial audition, and only 30 more made it), so I was ready to continue my good work. I was afraid to go to the school bulletin, afraid of not seeing my name, afraid of being disappointed, afraid of being hit. On the third day after the exam, I was in the workshop to follow up the production progress, suddenly heard the wechat ring, open a look, is the wife sent a message. It turned out that I entered the second interview, although it was the identity of the last risk, but at least there is a chance to participate in the second interview. The good thing is, I was only four points away from the first place. Now that God has given me another chance, I must seize it all the more. The second interview is divided into two parts: lecture + answer questions. Because I had not been on the platform before and had no experience, I thought about it a little bit, first I thoroughly understood what I wanted to talk about, and then tried to talk about it again and again. However, I had no idea of the effect of the trial, so I asked my wife and her aunt and uncle to watch it and give comments; In addition, I made a video of my trial lecture and sent it to my sister in other places, because she is a teacher, and asked her to give some remote guidance. In this way, I practiced over and over again, from the beginning of the speech stutter, physical tension to the end of the natural speech, the performance of the natural, and able to communicate with the "unreal student" naturally. I feel very satisfied with the final result, so I am very confident. On the day of the second interview, I saw that many people were holding lesson plans, and the school also required handwritten lesson plans, which needed to be handed in at the end. Although I have written it, I am not going to take it during the lecture because all the knowledge I need for the whole class is in my head. The trial process was good on the whole, but there were two aspects I was not satisfied with: the content was not finished in the prescribed time; I made a mistake in the process of writing on the board. Knowledge "gain" has a delay, and it will really bring you unexpected happiness at some point, so don't think that some things I have learned in vain, and I have not used them at all, and maybe one day these so-called unused knowledge has become something that changes your fate. The final results came out, I took the test 90.69, and at that time the first test of our professional (when we signed up, he forgot to copy information, I rode a trolley with him to copy, so we met). With only 80 points, it looks like all I have to do is beat second place. After the interview, the announcement was made the next afternoon, and I was the only teacher hired in my major. Therefore, you must not give up until the end, even if you may not be satisfactory at the beginning for some reason, but you have to do your best to do the best in the back, then you may become a counter-attacker. Next is the normal political review, physical examination, training process… I will also change from a wage earner to an educator. I believe that this job should not only be a job, but also my lifelong career. I also believe that my family life is in the future!
Inadvertently found a few branches of winter jasmine quietly blooming in the corner, spring will not be late, late only people. Twenty years have passed, there are a lot of things have changed, there are a lot of things have not changed, such as our common memory, that is this life can not forget, our youth, our outlook on money, what is it that we can still drink together, what is it that makes us lose the apple muscle, get wrinkles, every year as expected, we? As long as you live seriously, it is the greatest respect for yourself and life. No matter how reluctant we are to spend today, time is still gone, we can be too little, in a limited time to try to be a flesh and blood person, I hope we and our future can be happy, recognize that the secular is not around the secular is the best gift to their own life. We agreed to climb a side peak in the most familiar mountain, although the leisurely time is not much, although we have become a dead house, see who is with it. Remember the first time to climb a mountain in college, many children in the city did not have the strength to climb to the top, but we worked in the body effortlessly, the class in order to go to the top of the mountain to take a group photo, everyone is unique, can not climb up the students in the middle of the ride, there is a boy by several girls to help up, impressive, but he is now a day can do seven or eight operations, A surgeon who's been on the job 30, 40 hours straight. Recently, there is a strong sense of rebellion, do not want to go down the road that can see the end, want to do something they like, but fear that the things they like to do seriously have become things they do not like. Hey, I am a fickle person, you have to find a thing to stick to and not very boring to do, give yourself some support and strength, prove that you are seriously living, rather than indifferent to life.